{"id":144022,"date":"2024-02-29T15:52:44","date_gmt":"2024-02-29T14:52:44","guid":{"rendered":"https:\/\/smetanovalitomysl.cz\/?post_type=udalosti&p=144022"},"modified":"2024-06-18T16:42:46","modified_gmt":"2024-06-18T14:42:46","slug":"collegium-1704-gloria-patri","status":"archived","type":"udalosti","link":"https:\/\/smetanovalitomysl.cz\/en\/udalosti\/collegium-1704-gloria-patri\/","title":{"rendered":"Collegium 1704 – Gloria Patri"},"content":{"rendered":"\n
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“In Dresden Zelenka developed his completely original musical language, which is incomparable to any other Baroque composer. Its originality and uniqueness – that’s something extraordinary.”<\/em><\/em><\/p>\n\n\n\n

V\u00e1clav Luks<\/strong><\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n

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Rendering of two major compositions from the early 18th century. Zelenka wrote his Mass for the Feast of the Body and Blood of the Lord (Corpus Christi) in Dresden in 1719, while Handel set Psalm 109 with the famous final choral part Gloria Patri \u2013 Glory to the Father<\/em> in Rome in 1707. <\/p>\n\n

Jan Dismas Zelenka<\/strong> (1679-1745) Missa Corporis Domini in C major<\/strong><\/p>\n\n

Georg Friedrich H\u00e4ndel <\/strong>(1685-1759)Dixit Dominus<\/strong>hymn for solo voices, choir and orchestra in G minor, HWV 232 (1707)<\/p>\n\n

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photogallery<\/h4>\n\n\n\n
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